[It isn’t fair, not at all, because Alia is lying, is offering what she cannot with every tearful inhale, is giving herself when she has never belonged to herself. She is a knife in the shape of a woman, and she will die buried beneath the ribs of Paul’s enemies, and she will live every moment until then serving the vision of Muad’Dib. Anything else is impossible, is a desert mirage born of thirst and desperation and sand in her eyes and spice in her mouth, a melange of lies that will crumble back to the dunes once it’s placed in the light. Alia cannot offer Alina anything, ever, and she knows it and she hates it and she does it anyway.

Because it’s also not fair that Alina is crying, that there are tears on her face like the tears Alia herself had never wept as an infant, slipping free of her mother quiet and solemn and fully self-possessed, never a child, never a girl, always and ever Reverend Mother and Bene Gesserit and Saint. She rises, knees wobbly, face reddened, hair loose and golden as she leans down, rests her forehead to Alina’s and reaches shaky hands to wipe away her tears.]

I won’t tell. [Soft, sweet, palms flat along the smooth shape of freckled cheekbones, settling to cradle a face that no design of mothers past could’ve created. There are stars in Alina’s tearful, reddened eyes, ones that drip over her lush lashes, and Alia ducks to kiss them, one two three, because to waste moisture is unthinkable. She breathes in the smell of sweat and sleep and girl, and her arms slip around Alina, like a child, reckless and bold and demanding, embracing without ever accepting the possibility of rejection.] Be just-Alina, and let me be just-Alia and I won’t tell anyone otherwise.

[Another lie, another promise she cannot keep, one hand petting over the tangle of Alina’s hair and kissing her eyes and her nose and whispering:] Please, don’t cry, Alina. I won’t tell anyone.